(16 September 1826 - 22 June 1896) was a Swedish artist who emigrated to Germany.
In his early years he mainly painted portraits, and historical or biblical pictures. In the 1860s he became a genre and landscape painter. He studied at the Royal Swedish Academy of Arts in Stockholm 1843-1846 and then went to Paris, where he studied under Thomas Couture from 1847 to 1853. In 1854 he settled down in Desseldorf, and remained there until his death, with the exceptions of some shorter trips.
Also his son Olof Jernberg (1855 - 1935) was an artist.
Related Paintings of August Jernberg :. | View from Dusseldorf | The New Pipe | A Dancing Bear | Still Life | Still Life | Related Artists:
Antonio Alice (23 February 1886 - 24 August 1943) was an Argentine portrait painter. He was awarded the Prix de Rome in 1904.
Alice, of Italian descent, was born in Buenos Aires, Argentina. His father, an Italian immigrant, was barely literate. His two sisters, Matilde and Santina, posed for several of his paintings.
Expelled from school and considered incorrigible for drawing in his textbooks, Alice went to work as a shoeblack. At the age of 11, while sketching Gaucho portraits between shoe shines, he was discovered by Cupertino del Campo, who went on to become the Director of the National Museum of Fine Arts of Buenos Aires. Del Campo referred Alice to the painter, Decoroso Bonifanti who gave the boy his first painting lesson in 1897.
In 1904, he was awarded the Prix de Rome (Premio Roma)and entered the Royal Academy of Painting in Turin, studying under Giacomo Grosso, Francisco Gilardi, and Andrea Tavernier. During his four years at the Academy, he was awarded three Gold Medals.
miskinmiskin was one of the best painters in the imperial atelier of akbar(1542 to 1605).
Jean Auguste Dominique IngresJ. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
